![]() By showing off their skills in Post-rock (“Meet Me in the Basement”), bombastic, arena-anthems (“World Sick”), playful prog (“Chase Scene”) and effective melody making (“Texico Bitches”), it’s quite clear that this is a group that is more comfortable stretching their musical legs than the average listener will likely be sinking their teeth into this album. Some sort of binding agent is necessary, however, due to the divergent styles showcased. While a lack of sonic cohesion does make itself evident, as the result of a mixed bag of styles that can often distract rather than attract, the significant and unifying thread of Kevin Drew’s Jeff Tweedy-esque, achy vocals equip the entire proceedings with immense heart. Besides, it’s not often that a group that has featured a melodica in the past acts as though it’s a power-pop trio, which many of their earlier songs have suggested. Perhaps the group-composed of a fluid membership that often numbers well into double digits-is finally becoming exactly what it is they were likely always going to be: a dramatic, sweeping and engrossing baroque-rock troupe. With the Toronto outfit choosing to explore every bit of the space that their physical largesse affords, the wait has been worth it-even if the album requires a bit of stamina in order to fully grasp the triumph. In the five years since Canadian chamber-rock band Broken Social Scene released its last album, lead Scenester Kevin Drew has ably stepped into indie-stardom, nurturing mass-anticipation for the collective’s upcoming opus.Įnter Forgiveness Rock Record.
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